nl 144b Henry Darger (1892-1973)

The composition presents a narrative scene divided into two distinct but connected panels. Here we observe a group of figures on horseback traversing a landscape populated with trees and undulating terrain. The color palette is dominated by muted greens and whites, punctuated by the vibrant hues of the riders’ attire.
In the left panel, the mounted figures appear to be engaged in an action; several are aiming bows and arrows towards unseen targets beyond the frames edge. A figure on foot, clad in a striking red and yellow garment, is positioned near a tree, seemingly observing or participating in the unfolding events. The posture of this individual suggests either distress or active involvement in the depicted conflict. Above this panel, handwritten text reads It Saints Fair; They.
The right panel continues the procession of riders, who now appear to be moving away from the initial scene. Their expressions are difficult to discern, but their postures convey a sense of urgency and purpose. The landscape mirrors that of the left panel, maintaining visual continuity between the two sections. Above this panel, the text reads Are carried off.
The division into panels suggests a sequential narrative, possibly depicting an event unfolding over time or from different perspectives. The handwritten captions above each section offer fragmented clues to the storys context, hinting at a religious or hagiographic subject matter – “It Saints Fair” and “Are carried off” imply a group of holy figures being transported or removed from a location.
The artist’s choice to depict the scene from a slightly elevated perspective allows for a broad view of the landscape and the movement of the riders, emphasizing the scale of the event. The simplified rendering of forms and the stylized depiction of horses contribute to a sense of immediacy and emotional intensity. The overall effect is one of restrained drama, inviting contemplation on themes of faith, loss, or displacement.