It is Finished 5th Jan 1935 Sir John Lavery (1856-1941)

The composition presents a still life within what appears to be a domestic interior, suffused in a muted, melancholic light. A large table dominates the foreground, draped with a heavy fabric that pools onto the floor, creating a sense of enclosure and weight. Upon this table rests an abundance of flowers, their colors ranging from deep crimson to pale pink, arranged seemingly without formal structure – a deliberate lack of order contributing to the overall atmosphere of quiet resignation.
To the left, a piece of ornate furniture stands partially obscured by the tablecloth, its details softened by shadow and distance. The reflective surface of what seems to be a mirror or polished object is visible behind the table, extending the space and creating an illusion of depth. Within this reflection, more candles are discernible, their flames flickering in the dimness.
The color palette is restrained, primarily consisting of earthy tones – ochres, browns, greens – with punctuations of red from the flowers and candle flames. The brushwork is loose and expressive, contributing to a sense of immediacy and emotional intensity. Theres an absence of sharp lines; everything appears softened, blurred, as if viewed through a veil of sadness or memory.
The arrangement of objects suggests a scene frozen in time – a moment of quiet contemplation or perhaps the aftermath of a significant event. The profusion of flowers, often symbolic of mourning and remembrance, hints at loss or farewell. The heavy drapery and subdued lighting evoke feelings of confinement and introspection. It is not merely a depiction of objects; it conveys an emotional state – one of profound stillness and understated grief. The overall effect is deeply poignant, inviting the viewer to ponder the narrative behind this carefully constructed tableau.