Franz Von Stuck – Tilla Durieux as Circe
c.1913. 60x68
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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The woman’s hair is a vibrant shade of auburn, styled in loose curls that frame her face. Her skin appears pale, almost luminous against the dark backdrop. She wears what seems to be a draped garment, likely classical in inspiration, rendered with fluid brushstrokes and a limited palette of blues and creams. The fabric clings loosely to her form, hinting at an underlying sensuality without explicit display. Delicate earrings adorn her ears, adding a touch of refinement and ornamentation.
The darkness enveloping the figure is significant. It creates a sense of isolation and mystery, drawing attention solely to the woman and the object she holds. This obscurity also evokes associations with the supernatural or the realm of myth. The limited color range – primarily shades of brown, blue, cream, and touches of gold – contributes to an atmosphere of subdued drama and heightened emotional intensity.
The gesture of holding the bowl is central to the work’s narrative potential. It implies a ritualistic act, possibly involving transformation or enchantment. The womans expression is ambiguous; it is difficult to discern whether she is inviting, alluring, or perhaps even menacing. This ambiguity contributes to the painting’s unsettling quality and invites speculation about her intentions and identity.
The overall effect is one of theatricality and symbolic weight. It suggests a figure removed from everyday reality, inhabiting a space between the visible world and the realm of legend. The artist has skillfully employed light, shadow, and gesture to create an image that is both captivating and enigmatic.