#10429 Sebastiano del Piombo (1485-1547)

The composition presents a group portrait arranged around a central female figure holding an infant. An older man with a long beard occupies the left side of the scene, his gaze directed towards the woman and child. He is draped in dark robes, contrasting with the vibrant red garment worn by the maternal figure. The woman’s face exhibits a serene expression, her eyes cast downwards as she cradles the baby close to her chest. A delicate veil partially obscures her hair, adding to an aura of modesty and reverence.
To the right of the central figures, two men are positioned. One is depicted with long, flowing hair and scantily clad in white fabric, his body marked by several visible wounds – arrows protruding from his torso. He appears to be looking directly at the woman, a gesture that suggests a connection or significance between him and the group. The second man, situated slightly behind and to the right of the wounded figure, is similarly bearded and dressed in dark clothing; he seems to be observing the scene with an expression of contemplation.
The background features a landscape rendered in muted tones, with distant hills visible through a break in the foliage. A subtle light source illuminates the figures from the left, creating highlights on their faces and garments while casting shadows that contribute to the painting’s depth.
Several layers of meaning are suggested by this arrangement. The presence of the wounded man, marked by arrows, implies a narrative of suffering or sacrifice. His gaze directed towards the woman holding the child hints at a symbolic connection – perhaps representing divine love, protection, or martyrdom. The older mans posture and expression convey wisdom and authority, possibly indicating a paternal role or spiritual guidance. The overall effect is one of solemnity and quiet contemplation, inviting viewers to consider themes of faith, devotion, and sacrifice.