#19798 Manuel Angeles Ortiz

Here we observe a drawing executed in sanguine chalk on paper. The subject is a female figure posed in a seated position, rendered with a distinct emphasis on angularity and simplified form. The monochromatic palette contributes to the works starkness and focus on line and volume.
The artist depicted the woman with an elongated neck and stylized facial features; her eyes are large and almond-shaped, conveying a sense of introspection or perhaps melancholy. Her hair is arranged in a tightly curled style, further accentuating the geometric quality of the composition. The body is presented in a somewhat flattened perspective, prioritizing the depiction of musculature and bone structure over naturalistic rendering.
The figure’s posture suggests a deliberate self-containment; her arms are crossed over her lap, creating a barrier between herself and the viewer. This gesture could be interpreted as an expression of reserve or even defiance. The drapery, loosely arranged around her legs, adds a textural element while also contributing to the overall sense of controlled form.
The drawing’s subtexts seem to revolve around themes of modernity and psychological complexity. The stylized representation moves away from traditional ideals of beauty, instead suggesting an exploration of inner states and a rejection of conventional portrayals of femininity. The limited color range reinforces this feeling of austerity and introspection. The date inscribed at the bottom right corner (1923) places the work within a period marked by significant social and artistic upheaval, hinting at a possible commentary on changing roles and perceptions of women in society.