Arthur Maynwaring, Esquire Sir Godfrey Kneller (1646-1723)

Here we observe a portrait rendered in black and white engraving, depicting a gentleman presented in three-quarter profile. The subject is positioned slightly off-center, his gaze directed towards the viewer with a measured expression that suggests both confidence and reserve. He wears an elaborate peruke, its voluminous curls meticulously detailed through fine lines, creating a sense of considerable status and adherence to fashionable trends of the period. The texture of the hair is rendered with remarkable precision, conveying depth and volume.
The gentleman’s attire consists of a coat with broad lapels, fastened at the chest with what appears to be a single button. The fabrics folds are carefully delineated, contributing to the overall impression of quality and refinement. His face displays subtle shading that defines his features – a slightly prominent nose, full lips, and attentive eyes.
Beneath the image, inscribed in block letters, is the subject’s name: ARTHUR above a coat of arms, followed by “MAYNWARING.” Below this, an abbreviation, ESQ, indicates his status as Esquire, signifying a gentleman of standing. The inclusion of the coat of arms reinforces the notion of lineage and inherited privilege.
The engravings style suggests a formal portrait intended for dissemination through print media, likely to establish or reinforce social position. The lack of background detail focuses attention entirely on the individual, emphasizing his presence and importance. The meticulous rendering of details – the hair, clothing, and facial features – indicates an effort to create a lasting representation of the subject’s character and status within society. The overall effect is one of dignified composure and established social standing, typical of portraits commissioned by or for members of the gentry during this era.