На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see several figures engaged in the task of pulling the boat forward. A young boy, positioned closest to the embankment, struggles to control a donkey burdened with what seems to be supplies or equipment. The donkey itself appears agitated, its posture suggesting resistance to the effort. Further along, three men are actively hauling on ropes attached to the boat. Their bodies are contorted in exertion, their faces largely obscured by shadow and distance, emphasizing the universality of their toil rather than individual characteristics. A fourth figure, standing at the stern of the boat, uses a pole for steering or stabilization. A fifth person, partially visible, appears to be assisting from the bank.
The color palette is muted, predominantly composed of browns, ochres, and grays, contributing to an overall sense of somberness and realism. The light source seems diffuse, casting soft shadows and flattening the forms somewhat, which reinforces the impression of a commonplace, everyday occurrence.
Subtly, the painting conveys themes of hardship and resilience. The landscape itself appears unforgiving – the steep incline and the murky water suggest an environment that demands constant physical exertion. The collective effort underscores the importance of cooperation in overcoming these challenges; no single individual can manage the task alone. There’s a sense of quiet dignity in the depiction of this labor, avoiding sentimentality while acknowledging the inherent difficulty of their lives. The donkeys resistance introduces a note of tension and struggle within the larger narrative of communal effort. The indistinct background buildings hint at a community bound by shared circumstances and reliant on each other for survival.