Portrait of Maria Tatishcheva David Lüders (1710-1759)

The portrait presents a woman in a formal pose, centered against a dark, indistinct background that suggests foliage and architectural elements. She is depicted from the chest upwards, her gaze directed towards the viewer with a measured expression. The lighting is soft and diffused, illuminating her face and upper body while leaving the surrounding areas in shadow.
The sitter’s attire reflects the fashion of the late 18th century. A pale gown, likely silk or satin, features a low neckline adorned with delicate lace ruffles and a cascade of crimson ribbons that drape across her shoulders and chest. The floral embellishments – a cluster of roses and other blooms – are strategically placed at the center of the bodice and incorporated into a decorative headpiece. Matching earrings dangle from her ears, adding to the overall impression of refined elegance. Her hair is styled in an elaborate coiffure, typical for the period, with soft curls framing her face.
The artist’s technique emphasizes a smooth, almost porcelain-like quality to the womans skin. The brushwork appears delicate and controlled, particularly evident in the rendering of the lace and floral details. There is a subtle modeling of the features, suggesting an attempt at capturing not only likeness but also a sense of inner character.
Beyond the surface representation of wealth and status, the portrait conveys a certain reserve and composure. The direct gaze, while engaging, lacks overt warmth or sentimentality. This restraint might be interpreted as indicative of social standing and adherence to decorum – a deliberate presentation of self within a hierarchical society. The dark background serves to isolate the figure, drawing attention solely to her presence and reinforcing her individuality within a broader context. The overall effect is one of dignified formality, suggesting a woman conscious of her position and carefully managing her public image.