FOUQUET JEAN – Self-portrait Louvre (Paris)

Here we observe a portrait presented within a circular frame, evoking the form of a medal or commemorative disc. The subject is depicted from the chest up, facing forward with a direct gaze towards the viewer. His expression appears contemplative, perhaps even melancholic; the downturned mouth and slightly furrowed brow contribute to this impression.
The artist rendered the man’s features with a degree of realism, though simplified in execution. Skin tones are muted, dominated by earthy browns and greys, suggesting an attempt at capturing naturalism rather than idealization. The hair is dark and appears somewhat unkempt, falling loosely around his face and neck. He wears what seems to be a simple garment, possibly a tunic or shirt, the folds of which are indicated with minimal detail.
The background is a deep, almost black color, providing stark contrast against the subject’s skin tones and drawing attention to his face. Inscribed within this dark field, in an elegant script, are two mirrored names – “IOHES” and “FOVQUET.” The letterings placement suggests that these are identifiers of some kind, likely a signature or dedication.
The circular format itself is significant. It lends the work a sense of formality and importance, reminiscent of Roman portraiture found on coins and medallions. This framing device elevates the subject beyond a casual depiction, suggesting an intention to memorialize him or present him as someone worthy of recognition. The overall effect is one of quiet dignity and introspection, hinting at a complex personality behind the restrained portrayal.