Part 2 Louvre – François Boucher -- Marriage of Cupid and Psyche (Le mariage de Psyché et de l’Amour)
1744, 93х130
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COMMENTS: 1 Ответы
Божественные нравы ничем не отличаются от человеческих: сначала Амур с Психеей того-сего, потом она в петлю полезла, и только потом Амур на ней женился.
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The composition is structured around a clear hierarchy. The central couple are positioned in the foreground, drawing immediate attention. Above them, a group of deities appears to be presiding over the event; one figure, identifiable as an aged male with flowing white hair and beard, seems to bestow a blessing upon the marriage. Further back, other figures populate the cloudscape, creating a sense of depth and vastness.
The artist’s use of color contributes significantly to the overall effect. A palette dominated by pale blues, pinks, golds, and creams creates an atmosphere of ethereal beauty and idealized grace. The flesh tones are rendered with a softness that emphasizes the figures perceived perfection. Drapery is handled with considerable skill, flowing in graceful folds that add dynamism to the scene.
Beyond the literal depiction of a marriage ceremony, the painting seems to explore themes of divine love, transformation, and acceptance. The presence of winged beings suggests an ascent to a higher plane, while the older figures likely represent established order and wisdom. The inclusion of smaller cherubic forms introduces a playful element, hinting at innocence and joy.
The subtext appears to be one of integration – Psyche’s journey from mortal to divine is visually represented by her acceptance into this celestial gathering. The scene conveys not only the union of two individuals but also the culmination of a spiritual quest, suggesting that love can transcend boundaries and elevate those who embrace it. The overall impression is one of idealized beauty, harmony, and the triumph of love over adversity.