Part 2 Louvre – Jean-Baptiste Mauzaisse -- Commerce
1833, 147х114
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COMMENTS: 1 Ответы
Кадуцей, рог изобилия, копилка – всё при нём, чего же он сам без штанов? Это не "Аллегория коммерции", а "Проторговался"
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The child holds aloft what appears to be a caduceus – a staff entwined with serpents – in one hand, while in the other, it grasps a small pouch or bag. Beneath the figure rests a woven basket overflowing with an abundance of fruit: grapes, peaches, and pears are discernible amongst the arrangement. A large, curved horn, reminiscent of a nautilus shell, is placed near the child’s leg, its form echoing the curves present throughout the scene.
The color palette leans heavily on warm tones – the rosy hues of the drapery, the golden highlights in the hair and skin, and the rich colors of the fruit – contrasted against the cool blues of the sky. This contrast creates a sense of visual depth and draws attention to the central figure. The lighting is soft and diffused, contributing to an overall atmosphere of gentle serenity.
Subtleties within the image suggest layers of meaning beyond a simple depiction of innocence or divine favor. The presence of the caduceus, traditionally associated with commerce and negotiation, introduces a complex element. It implies that the child’s role extends beyond mere benevolence; perhaps it represents the guiding force behind exchange, prosperity, or even trade itself. The overflowing basket of fruit could symbolize abundance and the rewards of labor, while the nautilus shell might allude to journeys, exploration, or the cyclical nature of life.
The artists choice to depict a child in this role is significant. It suggests that these principles – commerce, prosperity, and perhaps even the complexities of trade – are inherently linked to youth, potential, and a certain naivete. The overall effect is one of carefully constructed allegory, inviting contemplation on the relationship between divine influence and human endeavors.