Part 6 Louvre – Domenico Beccafumi (1486-1551) -- Sermon of Saint Bernard of Siena
c.1537, 32х51
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A large gathering of individuals populates the foreground. Their attire suggests a range of social classes; some are clad in richly colored garments – a man in red robes and blue trousers stands out prominently on the left – while others wear more modest clothing. The arrangement is not static; several figures lean forward, seemingly captivated by the speech, while others appear distracted or engaged in private conversations. A small child crawls towards the orator, adding a touch of domesticity to the scene.
The artist’s use of perspective creates depth within the limited space. The receding arches and the diminishing size of the figures contribute to an illusion of distance. Light plays a crucial role, not only highlighting the speaker but also defining forms and creating atmospheric effects. The darker areas in the upper corners of the painting create a sense of enclosure and focus attention on the central action.
Beyond the immediate group, further figures are visible within the courtyard, suggesting a larger community gathered to hear the sermon. A table stands against one wall, laden with what appears to be books or documents, possibly representing the source of the orator’s wisdom.
Subtleties in facial expressions and body language hint at a complex interplay of emotions among the audience – devotion, skepticism, curiosity, and boredom are all subtly conveyed. The inclusion of everyday objects like chairs and benches grounds the scene in reality while simultaneously elevating it through the presence of the orator and his message. Theres an underlying sense of social hierarchy and communal gathering, suggesting a moment of shared experience within a structured environment.