Roerich N.K. – Himalayas # 96 Noctilucent mountain
1941. Tempera on cardboard. 30.7 x 45.3 cm.
Location: International N.K. Roerich’s Center-Museum, Moscow (Международный Центр-Музей им. Н.К. Рериха).
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The artist has employed a delicate application of paint, producing a textured surface that evokes both the ruggedness of the terrain and the softness of the light. The peaks themselves are sharply defined against the sky, their snow-capped summits catching what little illumination is available. There’s a distinct lack of detail in the rendering; forms are suggested rather than precisely delineated, which lends an air of abstraction to the scene.
The monochromatic color scheme reinforces this sense of remoteness and tranquility. The absence of warmer tones contributes to a feeling of coldness and isolation, while the pervasive blue hues suggest a twilight or nocturnal setting. This is further emphasized by the title’s reference to “noctilucence,” hinting at an otherworldly glow emanating from the mountains themselves.
Subtly, the work explores themes of scale and human insignificance in the face of natures grandeur. The viewer is positioned as an observer, dwarfed by the immensity of the landscape. This perspective invites contemplation on the power and indifference of natural forces. Furthermore, the dreamlike quality of the scene suggests a yearning for transcendence or escape from earthly concerns. The painting’s quietness encourages introspection and a meditative engagement with the depicted environment.