#43941 Bernard Cathelin (1919-2004)

The composition presents a densely layered arrangement of geometric forms, predominantly rectangular and block-like, set against a field of vibrant blue hues. The artist has employed a thick impasto technique, evident in the pronounced texture of the paint application across the canvas. This textural quality contributes to a sense of physicality and immediacy within the work.
The color palette is dominated by blues – ranging from deep indigo to lighter cerulean – interspersed with patches of red and muted grays. The red areas are concentrated towards the lower portion of the painting, creating a visual anchor and introducing an element of tension against the cooler tones above. These blocks appear almost as if they’re emerging from or sinking into the blue background, blurring the distinction between foreground and backdrop.
The arrangement lacks clear spatial depth; forms overlap and abut one another without establishing a definitive perspective. This flattening effect contributes to the overall sense of abstraction. The absence of recognizable representational elements suggests an exploration of formal qualities – color, shape, texture – rather than a depiction of specific objects or scenes.
Subtly, theres a suggestion of urban architecture, though this is not explicitly stated. The verticality and angularity of the forms evoke buildings or structures, but their fragmented nature prevents any concrete identification. This ambiguity allows for multiple interpretations; it could be read as a commentary on the impersonal nature of modern cityscapes, or perhaps an exploration of the psychological impact of dense urban environments.
The paintings overall effect is one of controlled chaos – a dynamic interplay between order and disorder, structure and spontaneity. The artist’s deliberate use of color and texture creates a visually compelling surface that invites prolonged contemplation.