Storm wind; Sturmwind Marianne von Werefkin (1860-1938)

The canvas presents a nocturnal scene dominated by a low-slung building, presumably a café or public house, illuminated from within. The structure occupies the central foreground, its warm orange glow spilling outwards onto the ground and reflecting in the wet pavement. This light serves as the primary visual anchor, drawing the eye into the composition despite the surrounding darkness.
The sky above is turbulent, rendered with swirling brushstrokes of deep blues and greens, suggesting a powerful wind or impending storm. A crescent moon appears faintly visible through this agitated atmosphere, adding to the sense of unease and drama. Bare trees, their branches contorted by the unseen force, frame the scene on either side, contributing to the overall feeling of isolation and vulnerability.
Three figures are present within the composition. Two stand near the buildings entrance, partially obscured by shadow and appearing almost spectral in their indistinctness. A third figure is positioned further away, slightly to the right, also cloaked in darkness. Their postures suggest a weariness or resignation, perhaps reflecting the harsh conditions of the environment.
The color palette is notably restricted, relying heavily on contrasting warm oranges and yellows against cool blues and greens. This stark contrast amplifies the emotional intensity of the scene, creating a palpable sense of tension between warmth and coldness, safety and exposure. The thick application of paint, with visible brushstrokes, contributes to the dynamism of the work, conveying a feeling of movement and unrest.
Beyond the literal depiction of a building and its surroundings, the painting seems to explore themes of solitude, resilience in the face of adversity, and the enduring human need for shelter and connection amidst challenging circumstances. The obscured figures suggest an introspective mood, hinting at personal struggles or shared anxieties within a community facing difficult times. The overall impression is one of quiet melancholy and a profound sense of place.