#40497 Domenec Pascual Badia

The composition presents a landscape dominated by terraced slopes ascending towards a distant horizon. The terrain is rendered in a granular style, achieved through densely applied brushstrokes that create a textured surface resembling a mosaic or pointillist approach. These strokes primarily utilize earth tones – ochres, siennas, and umbers – interspersed with patches of verdant green, suggesting vegetation clinging to the hillsides.
Several structures are integrated into this landscape. Three buildings, each distinct in its architectural details, punctuate the scene. The first, situated on a higher terrace, is characterized by a white facade and a simple, gabled roof. A second building, lower down the slope, features an orange-tiled roof contrasting with lighter walls. The third structure, positioned at the base of the terraced area, appears more substantial, exhibiting a complex arrangement of roofs and windows.
The artist’s choice to depict these buildings within such a densely textured environment suggests a deliberate blurring of boundaries between human construction and natural forms. They are not isolated entities but rather integral components of the landscape itself, seemingly grown from the earth. The terracing implies an intentional manipulation of the terrain, hinting at agricultural practices or perhaps even a historical effort to shape the land for habitation.
The subdued color palette contributes to a sense of quietude and timelessness. There is no clear indication of time of day; light appears diffused and consistent across the scene. This lack of temporal specificity reinforces the impression that the landscape exists outside of conventional narrative, presenting itself as an enduring presence. The overall effect evokes a feeling of isolation and introspection, inviting contemplation on the relationship between humanity and its environment.