#40472 Domenec Pascual Badia

The canvas presents a landscape dominated by undulating terrain and dense vegetation, rendered in a textured, pointillist style. A broad expanse of golden field occupies the foreground, its surface broken into countless small strokes of yellow and ochre that suggest ripeness and abundance. Above this lies a band of dark green foliage, composed of trees and shrubs, which obscures much of the middle ground.
The background rises in a series of hills or low mountains, their slopes painted with a palette of browns, oranges, and muted greens. A scattering of buildings is visible nestled amongst the vegetation on one of these slopes, appearing small and insignificant against the scale of the natural environment. The sky, barely discernible through the dense foliage, seems to be a hazy blue-grey, contributing to an overall sense of atmospheric depth.
The artist’s technique emphasizes surface texture over precise detail. The application of paint is not smooth or blended; instead, individual dots and dashes create a visual vibration that animates the scene. This approach lends a certain abstraction to the landscape, suggesting more than just a literal depiction of place.
Subtly, theres an impression of melancholy conveyed through the muted color scheme and the obscured view. The abundance of the field is tempered by the looming presence of the hills, hinting at the cyclical nature of growth and decay. The small buildings suggest human presence, but their insignificance within the vastness of the landscape implies a sense of isolation or perhaps even vulnerability in relation to the natural world. The overall effect is one of quiet contemplation, inviting reflection on themes of time, place, and humanitys relationship with its surroundings.