Massimo Taparelli D’Azeglio – Farmhouse with mill
1830-1845 circa
Location: Academy Carrara (Accademia Carrara), Bergamo.
Album navigation:

На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has positioned a small figure, presumably a woman in traditional dress, near the foreground path. She appears to be observing the scene with a quiet attentiveness, her posture suggesting a connection to this place and its activities. A cow grazes peacefully on the grassy area nearby, adding to the sense of pastoral tranquility.
The landscape surrounding the farmhouse is lush and verdant. Dense foliage obscures much of the terrain, creating a feeling of enclosure and seclusion. A stream flows along the right side of the composition, reflecting the sky and contributing to the overall atmosphere of serenity. In the distance, mountains rise against a pale blue sky, providing a backdrop that emphasizes the scale of the farmhouse and its integration within the natural environment.
The painting’s subtexts revolve around themes of labor, tradition, and connection to the land. The mill represents not only an economic activity but also a vital part of the communitys infrastructure. The woman’s presence suggests a continuity of rural life and customs. The careful rendering of light and shadow across the stone surfaces and foliage conveys a sense of realism while simultaneously idealizing the simplicity and beauty of rural existence. There is a quiet dignity in the depiction, suggesting an appreciation for the enduring values of hard work, community, and harmony with nature.