Hans Eworth – Allegorical portrait of Sir John Luttrell
1550 panel
Location: Samuel Courtauld Trust, The Courtauld
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The lower portion of the painting depicts a rocky shoreline from which the man seems to rise. The water itself is rendered with considerable dynamism, conveying a sense of chaotic movement and potential danger. Above this tumultuous scene, a complex allegorical tableau unfolds. A female figure, likely representing a classical deity or personification, descends from the clouds, extending her hand towards the central figure. She wears a crown of leaves and is surrounded by other figures – putti, soldiers, and what appears to be a lion – all contributing to an atmosphere of grandeur and divine sanction.
In the background, a fleet of ships is visible amidst a stormy sky, punctuated by flashes of lightning. The inclusion of these vessels suggests themes of maritime power, trade, or perhaps even military conquest. The overall effect is one of layered meaning, where the individual’s struggle against adversity is framed within a larger narrative of divine intervention and worldly ambition.
The subtexts embedded in this work are numerous. The mans emergence from the water could symbolize resilience, overcoming obstacles, or a rebirth after hardship. The female figure’s descent implies patronage, guidance, or perhaps even a claim to legitimacy. The ships in the background hint at wealth, influence, and dominion over the seas. The combination of these elements suggests that the individual depicted is not merely facing personal challenges but also navigating complex political and economic landscapes, potentially with the support of powerful forces. The painting appears designed to convey a message about status, power, and divine favor, all interwoven within a dramatic and visually arresting scene.