Maestro de Miraflores – Degollación de San Juan Bautista Part 2 Prado Museum

The composition presents a scene unfolding within a structured architectural setting, divided into distinct zones that suggest layers of narrative and observation. The foreground is dominated by a central figure seated on what appears to be a raised platform or dais. He holds aloft a severed head, the face rendered with considerable detail despite its gruesome subject matter. A kneeling figure, presumably the victim, lies prostrate at his feet, draped in rich fabrics that pool onto the dark ground. To the left of this central grouping stands a woman, elaborately dressed and adorned with an ornate headdress; her gaze is directed towards the seated man, conveying a complex mixture of sorrow and perhaps resignation.
The background reveals a courtly gathering within what seems to be a palace or grand hall. Numerous figures are visible, engaged in various activities – some appear to be observing the central event, others seem preoccupied with their own affairs. The architecture is characterized by pointed arches, columns, and decorative details typical of late medieval design. Light streams through arched openings, illuminating portions of the scene while leaving other areas shrouded in shadow, contributing to a sense of dramatic tension.
The color palette is rich and vibrant, employing deep reds, blues, greens, and golds. The use of contrasting colors – the dark ground against the bright fabrics and figures – heightens the visual impact and draws attention to key elements within the composition. The meticulous rendering of textures – from the sheen of silks to the roughness of stone – adds a sense of realism and materiality.
Beyond the literal depiction of an execution, subtexts relating to power, sacrifice, and spectacle emerge. The elaborate attire of the figures suggests a display of wealth and authority, while the presence of the observing court implies that this event is not merely personal but also a public demonstration of dominance. The woman’s posture and expression hint at themes of mourning and acceptance within a hierarchical social structure. The overall effect is one of solemnity and gravity, tempered by an undeniable fascination with the dramatic nature of the scene. The composition seems to explore the intersection of religious narrative, political power, and human emotion, inviting contemplation on the complexities of faith, authority, and mortality.