St Margaret Ortolano (Giovanni Battista Benvenuti) (c.1480-1525)

The composition presents a female figure centrally positioned within an architectural frame. She is depicted kneeling, her hands pressed together in a gesture of prayer or supplication. A halo encircles her head, signifying sanctity and divine grace. Her attire consists of a blue tunic with a vibrant red mantle draped over her shoulders, the contrasting colors drawing immediate attention to her form.
Beneath her, a formidable beast lies prostrate, its forelegs extended towards the viewer. The creature’s posture suggests submission or defeat, implying a symbolic triumph for the woman above. Her foot rests lightly upon the animals neck, reinforcing this notion of dominance.
The background is rendered as an idealized landscape, featuring rolling hills, verdant trees, and architectural elements including what appears to be a classical temple and a distant fortified structure. A procession of figures can be discerned in the middle ground, their presence suggesting a community or following acknowledging her virtue. The light source seems to originate from the left, illuminating the woman’s face and upper body while casting shadows that add depth and volume to the scene.
The paintings subtexts revolve around themes of faith, courage, and divine intervention. The confrontation with the beast likely symbolizes a struggle against adversity or evil, overcome through piety and spiritual strength. The architectural setting suggests a connection between the earthly realm and a higher, more ordered existence. The procession in the background reinforces her role as an exemplar for others, embodying virtues worthy of emulation. The overall effect is one of serenity and triumph, conveying a message of hope and resilience in the face of challenge.