Metropolitan Museum: part 2 – Edgar Degas - Woman Having Her Hair Combed
Edgar Degas: French, Paris 1834–1917 Paris ca. 1886–88; Pastel on light green wove paper, now discolored to warm gray, affixed to original pulpboard mount; 29 1/8 x 23 7/8 in. (74 x 60.6 cm)
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A second figure, partially obscured on the right side of the composition, performs the task of combing. Only the upper torso and arm are visible, clad in a pale pink blouse and a white dress with delicate detailing. The focus remains firmly on the woman receiving the attention; the attendant’s presence is functional rather than central to the narrative.
The color palette is dominated by yellows and creams, creating an atmosphere of warmth and intimacy. Touches of blue-green are introduced in the background, providing a subtle contrast that prevents the scene from feeling overly saccharine. The artist employed loose, expressive pastel strokes, which contribute to the drawing’s immediacy and sense of spontaneity. Lines are not precise; instead, they convey form through tonal variations and suggestion.
Subtleties within the composition hint at themes beyond mere depiction of a grooming routine. The womans closed eyes suggest introspection or perhaps a state of passive enjoyment. The arrangement of the armchair and cloth creates a sense of enclosure, isolating her from an unseen world. This could be interpreted as a commentary on female dependence, the performance of femininity, or the private moments within domesticity. The partial obscuring of the attendant figure further reinforces this notion – she is a facilitator rather than an equal participant in the scene.
The drawing’s composition and technique suggest a deliberate attempt to capture a fleeting moment, a glimpse into a private world where power dynamics are subtly negotiated and female identity is both revealed and concealed.