Max Liebermann – The Ropewalk in Edam Metropolitan Museum: part 2

Metropolitan Museum: part 2 – Max Liebermann - The Ropewalk in Edam
Max Liebermann: German, Berlin 1847–1935 Berlin 1904; Oil on canvas; 39 3/4 x 28 in. (101 x 71.1 cm)

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Metropolitan Museum: part 2 - Alexandre François Desportes - Still Life with Silver

Metropolitan Museum: part 2 - Domenichino (Italian, Bologna 1581–1641 Naples) - Landscape with Moses and the Burning Bush

Metropolitan Museum: part 2 - Domenico Ghirlandaio (Italian, Florence 1448/49–1494 Florence) - Saint Christopher and the Infant Christ

Metropolitan Museum: part 2 - Attributed to Goya (Spanish, Fuendetodos 1746–1828 Bordeaux) - Majas on a Balcony

Metropolitan Museum: part 2 - El Greco (Greek, Candia [Iráklion] 1540/41–1614 Toledo) - The Adoration of the Shepherds

Metropolitan Museum: part 2 - Joos van Cleve - The Last Judgment

Metropolitan Museum: part 2 - Andrea di Lione - Tobit Burying the Dead

Metropolitan Museum: part 2 - Andrea Mantegna - The Adoration of the Shepherds

Metropolitan Museum: part 2 - Attributed to Master LC - The Arrival in Bethlehem

Metropolitan Museum: part 2 - North Netherlandish Painter, about 1470 - Christ Bearing the Cross

Metropolitan Museum: part 2 - Attributed to the Master of the Female Half-Lengths and a collaborator - The Rest on the Flight into Egypt

Metropolitan Museum: part 2 - Giovanni Paolo Panini - Interior of Saint Peter’s, Rome

Metropolitan Museum: part 2 - Attributed to Parmigianino - The Annunciation

Metropolitan Museum: part 2 - Giovanni Antonio Pellegrini - Bacchus and Ariadne

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The picture has something of this: people, water, vehicle, two, recreation, group, transportation system, daylight, river, tree, watercraft, man, wood, outdoors, environment, woman.
Perhaps it’s a painting of a man standing on the side of a road next to a body of water with people.

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