Metropolitan Museum: part 2 – Gaspare Traversi - Teasing a Sleeping Girl
Gaspare Traversi: Italian, Neapolitan, ca. 1722–1770 Oil on canvas; 34 1/8 x 42 3/8 in. (86.7 x 107.6 cm)
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Around her are clustered several figures – three men and one woman – their expressions ranging from amusement to barely suppressed mirth. The man positioned closest to the viewer holds a stringed instrument, presumably responsible for the soporific melody. His face is contorted in an exaggerated grin, hinting at a playful complicity in the situation. The other male figures are similarly inclined, leaning forward with knowing smiles and gestures that suggest they find the scene entertaining. The woman among them displays a more restrained amusement, her hand raised to her mouth as if suppressing laughter.
The lighting is dramatic, focused primarily on the sleeping girl and the faces of those observing her. This concentrated illumination emphasizes their expressions and creates a sense of voyeurism; we are positioned as observers of a private moment. The background remains largely in shadow, contributing to an atmosphere of secrecy and intimacy.
Several subtexts emerge from this arrangement. The scene could be interpreted as a gentle mockery of the young woman’s naivete or innocence. Her sleep renders her powerless, making her the object of amusement for those around her. Alternatively, the painting might explore themes of social hierarchy and power dynamics; the older men seem to hold a position of authority over the younger woman, deriving pleasure from their shared secret. The music itself could symbolize temptation or distraction, lulling her into a state of vulnerability.
The artist’s choice of clothing – simple garments for all figures – suggests a setting within a modest social class. This reinforces the sense that we are witnessing an everyday occurrence, albeit one imbued with complex emotional and social undertones. The overall effect is one of quiet observation, prompting reflection on themes of power, amusement, and the complexities of human interaction.