Part 1 – Antoine Pesne (1683-1757) - Granddaughter of the artist with Pug dog
c.1745. 63x47
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The woman’s expression is one of quiet composure; her gaze directed towards the viewer conveys a sense of amiable accessibility rather than overt formality. Her complexion appears fair, accentuated by rosy cheeks and lips, suggesting youthfulness and health. The elaborate coiffure, styled with ringlets and adorned with floral embellishments, speaks to the conventions of fashionable portraiture during this period. A delicate lace cap frames her face, adding a layer of refinement and elegance.
The presence of the pug is significant. It’s not merely an accessory but appears integrated into the composition as a symbol of status and affection. The dogs dark coloration contrasts with the woman’s pale skin and light clothing, creating visual interest and highlighting its form. Pugs were popular companion animals among the aristocracy, signifying wealth and leisure. Their inclusion in portraits often served to underscore the sitter’s social standing.
The artist has rendered the fabrics with a remarkable attention to detail. The texture of the lace cap is palpable, while the folds of her gown suggest a luxurious quality. The color palette is restrained, dominated by soft pastels – pale blues, pinks, and creams – which contribute to an overall impression of gentility and refinement.
Subtly, the painting conveys themes of domesticity and familial connection. The woman’s gentle pose and the tender way she holds the dog suggest a nurturing personality and a comfortable life within a privileged social sphere. The absence of any background elements reinforces the focus on the individual and her immediate surroundings, creating an intimate and personal atmosphere. It is likely intended to portray not just physical likeness but also character and social position.