Giovanni Paolo Lolmo – Portrait of a woman
1588~1590
Location: Academy Carrara (Accademia Carrara), Bergamo.
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Here we see a woman of considerable status, evidenced by the richness of her clothing and the imposing chair she occupies. Her dress is predominantly black, heavily embroidered with intricate floral patterns in lighter tones – likely silver or gold thread – creating a shimmering effect that suggests wealth and refinement. The high, starched ruff around her neck is a significant marker of period fashion, indicative of social standing and an adherence to contemporary trends. A complex arrangement of pearls adorns the ruff and drapes across her chest, further emphasizing her affluence.
The woman’s hands are delicately posed; one rests gently on the armrest, while the other lies in her lap, displaying manicured nails. This posture conveys a sense of composure and control. A book is visible on a table to her left, hinting at intellectual pursuits or perhaps serving as a prop signifying learning and virtue – common attributes associated with women of high birth during this era.
The inscription partially visible behind the woman’s head appears to be Latin, likely an epigraph intended to convey moral or philosophical meaning. Its placement suggests that the portrait is not merely a likeness but also a statement about her character and values. The dark background serves to isolate the figure, creating a sense of solemnity and emphasizing her importance within the composition.
Subtly, theres a restrained emotional quality in her expression; it’s neither overtly joyful nor sorrowful, but rather conveys an air of dignified reserve. This ambiguity allows for multiple interpretations regarding her personality and inner life. The overall effect is one of power, intelligence, and carefully constructed social identity – a portrait designed to project an image of respectability and authority.