François Hubert Drouais – Madame Charles-Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772) Metropolitan Museum: part 4

The portrait presents a woman engaged in playing a keyboard instrument, likely a harpsichord or fortepiano. She is positioned three-quarter length, facing slightly towards the viewer while her gaze meets ours directly. Her posture suggests concentration and grace as she delicately touches the keys. The hands are rendered with considerable detail, emphasizing the refined nature of the activity.
The woman’s attire is characteristic of the mid-18th century. She wears a pale blue silk gown with an elaborate décolletage trimmed with lace. The sleeves are wide and flowing, gathered at the wrist with ribbons. A matching ribbon adorns her neck, tying into a bow at the chest. Her hair is styled in an informal arrangement, powdered white and arranged around her face with soft curls, accented by a blue ribbon headband.
The keyboard instrument itself occupies a significant portion of the composition. The sheet music propped against an easel displays musical notation, adding another layer to the scene’s narrative. A small brass candlestick sits atop the harpsichord, providing a subtle source of light and contributing to the overall sense of domesticity and refinement.
The color palette is dominated by cool tones – blues, whites, and creams – which contribute to an atmosphere of elegance and serenity. The lighting is soft and diffused, highlighting the woman’s features and creating a gentle modeling effect on her skin and clothing.
Beyond the literal depiction of musical performance, the painting conveys subtexts related to social status and cultural refinement. Playing keyboard instruments was considered a vital accomplishment for women of the upper classes during this period; it signified education, leisure, and good breeding. The woman’s poised demeanor and elegant dress reinforce her position within that elite sphere. The intimate setting suggests a private moment, offering a glimpse into the domestic life of someone from a privileged background. The direct gaze establishes a connection with the viewer, inviting an assessment of her character and social standing.