In the beginning of March. 1900 Isaac Ilyich Levitan (1860-1900)
Isaac Ilyich Levitan – In the beginning of March. 1900
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Painter: Isaac Ilyich Levitan
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Painter: Isaac Ilyich Levitan
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SNOW STAR
Pointless existence,
But white snow is so pleasing –
Its crystalline shimmer
Is observed by a human being.
And so the feeling
Of meaninglessness fades away into nothingness.
And a new poem
Ignites – a snow star.
An amazing picture.
As if behind the clouds, the Creator himself paints with a brush.
Our world is as real as it is unreal, like an ideal sample.
Its quite an ordinary picture – just one winter day,
And the snow falls on the tree, everything is in perspective -
you can see the shadow.
But where does that feeling come from – a poignant tenderness,
a longing.
The artist has shown us something extraordinary through his art.
You can feel the heat radiating from the straw roofs as if theyre warmed by the sun.
You cannot comment Why?
The artist employed visible brushstrokes, creating a textured surface that conveys both the physical quality of the snow and the energy of the application process. The snow itself isn’t rendered as uniform; instead, variations in tone suggest drifts, shadows, and subtle undulations across the terrain. The trees are depicted with an emphasis on their skeletal forms – branches reaching upwards against the sky, devoid of foliage but hinting at a latent vitality.
The sky occupies a significant portion of the composition, its blue hue providing a contrast to the earth tones below. It isn’t a clear, vibrant blue; rather, it possesses a certain atmospheric quality, suggesting overcast conditions or perhaps the diffused light of early morning. The corner of the building is rendered in warm browns and yellows, offering a focal point that introduces an element of human presence into the otherwise natural scene.
Subtexts within this work revolve around themes of dormancy and renewal. The bare trees symbolize a period of rest, while the snow’s gradual melting (implied by patches of exposed ground) suggests the imminent arrival of spring. Theres a melancholic beauty in the depiction of winters grip, but also an underlying promise of rebirth. The inclusion of the building hints at human resilience and adaptation to the harshness of the environment.
The painting’s composition directs the viewer’s eye across the expanse of snow, ultimately leading towards the distant horizon. This creates a sense of depth and vastness, reinforcing the feeling of solitude and contemplation that permeates the work. The overall effect is one of quiet observation – a moment captured in time, reflecting on the cyclical nature of seasons and the enduring relationship between humanity and the natural world.