Louvre – PARIS OR DIJON SCHOOL - Small round Pieta (Lamentation of Christ)
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Surrounding this central figure are several individuals, each exhibiting distinct expressions of grief. To the left, an older man with a long beard reaches out towards the deceased’s foot, his posture conveying profound sorrow and reverence. Beside him, a woman in blue gazes down at the body, her face etched with anguish. On the opposite side, another figure, also elderly and bearded, raises his hands to the heavens in what appears to be a gesture of lament or supplication. A younger man stands further back, his head bowed in apparent distress.
The woman positioned closest to the deceased is draped in a dark blue veil that obscures much of her face, yet her raised hands suggest a maternal tenderness and overwhelming grief. Her posture conveys both sorrow and protective concern for the figure she cradles. The gold background, applied with a textured technique, creates an ethereal halo effect around the group, elevating the scene beyond the mundane and imbuing it with a sense of sacredness.
The limited palette – dominated by blues, greens, browns, and touches of red – contributes to the overall somber mood. The figures are rendered in a stylized manner, their features somewhat elongated and idealized, characteristic of certain late medieval artistic conventions. This stylization, however, does not diminish the emotional impact of the scene; rather, it lends it a sense of timelessness and universality.
The circular format itself is significant. It evokes notions of wholeness and eternity, contrasting with the immediate tragedy depicted within. The arrangement suggests a carefully orchestrated tableau, designed to elicit empathy and contemplation in the viewer regarding themes of loss, faith, and sacrifice.