Metropolitan Museum: part 2 – Unknown - Krishna and the Gopis Take Shelter from the Rain
1760; India (Rajasthan, Jaipur); Ink, gold and opaque watercolor on paper; 13 3/4 x 9 3/8 in. (34.9 x 23.8 cm)
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The setting is an idyllic landscape, characterized by lush vegetation and rolling hills receding into a stormy sky. The foliage is rendered with meticulous detail, showcasing a variety of plant life including large-leafed palms that frame the central group. A scattering of livestock – cows and birds – populates the foreground, adding to the pastoral atmosphere. The ground itself is covered in wildflowers, contributing to the overall sense of abundance and natural beauty.
The impending storm introduces an element of drama and tension into the otherwise serene environment. Dark clouds gather overhead, hinting at a powerful force of nature. This meteorological event serves as more than just a backdrop; it seems to underscore themes of protection and divine grace. The central figure’s gesture – the offering of shelter – implies a benevolent power capable of shielding those under his care from adversity.
The arrangement of the figures suggests a hierarchical relationship, with the blue-skinned man occupying a position of authority or divinity. The womens proximity to him, their gazes directed upwards, reinforces this dynamic. Their expressions are difficult to discern precisely, but they convey a sense of reverence and reliance on the figure’s protection.
The painting’s color palette is rich and vibrant, with an emphasis on warm tones that contrast sharply with the cool blues of the sky and the central figures skin. This deliberate use of color enhances the visual impact of the scene and contributes to its overall emotional resonance. The meticulous rendering of details – from the intricate patterns on the women’s clothing to the individual blades of grass – demonstrates a high level of artistic skill and attention to detail, indicative of a tradition that values precision and ornamentation.