Metropolitan Museum: part 3 – Alfred Sisley - Sahurs Meadows in Morning Sun
Alfred Sisley: English, Paris 1839–1899 Moret-sur-Loing 1894; Oil on canvas; 28 3/4 x 36 1/4 in. (73 x 92.1 cm)
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The field itself is depicted with an emphasis on light and color variation. The artist employed short, broken brushstrokes to capture the shimmering effect of sunlight across the tall grasses. Hues of gold, yellow, and pale green intermingle, creating a sense of movement and vitality within the meadow. A subtle path or track appears to traverse the field, hinting at human interaction with this natural space, though it remains indistinct and secondary to the overall impression of pastoral tranquility.
In the middle ground, a line of trees punctuates the horizon, their silhouettes softened by atmospheric perspective. These trees are rendered in darker tones, contributing to the sense of distance and depth within the composition. Beyond them, gently rolling hills fade into a hazy blue sky, further emphasizing the vastness of the landscape.
The sky itself is not uniformly colored; instead, it displays subtle gradations of pale blues and whites, suggesting the diffused light characteristic of early morning. The absence of any dramatic cloud formations contributes to the overall feeling of serenity and stillness.
Subtly, the painting conveys a sense of quiet contemplation. Theres an understated beauty in the depiction of everyday rural life – not grand or heroic, but rather imbued with a gentle dignity. The focus on light and atmosphere suggests an interest in capturing fleeting moments and sensory experiences, inviting the viewer to share in this peaceful observation of nature. The composition’s balance between foreground density and distant openness creates a visual harmony that reinforces the feeling of calm and spaciousness.