1960 Le dВjeuner sur lherbe (Manet) 1 Pablo Picasso (1881-1973) Period of creation: 1943-1961

The work presents a scene rendered in watercolor and ink, characterized by a deliberate flattening of perspective and a simplification of forms. A vibrant green field dominates the lower portion of the composition, punctuated by stylized trees with dark, swirling foliage. These trees appear almost as decorative elements, their shapes more symbolic than realistic.
Several figures are arranged within this landscape. The central grouping consists of two individuals positioned close together. One figure is depicted in a pale blue hue, its face rendered with minimal detail and an elongated neck. The other figure is darker, primarily black, and appears to be leaning towards the first. A third, smaller figure, colored red, stands near the second individual, holding what seems to be a small object or tool.
The arrangement of these figures suggests a moment of intimacy or shared activity, though their expressions are obscured by the simplified rendering. The composition is further complicated by the inclusion of disembodied elements: a large eye in the lower left corner and an abstract facial feature near the top right. These additions disrupt any sense of conventional narrative, introducing a surreal quality to the scene.
The artist’s use of color is striking; the bright green field contrasts sharply with the cooler tones of the figures, creating visual tension. The loose brushstrokes and visible ink lines contribute to an overall impression of spontaneity and immediacy. The date 19.4.61 appears in the upper right corner, providing a specific timeframe for the work’s creation.
Subtly, the painting seems to explore themes of observation and representation itself. The inclusion of the eye suggests a gaze directed at the scene, while the abstracted forms challenge traditional notions of realism. It is possible that the artist intended to comment on the act of seeing and depicting, rather than simply portraying a straightforward narrative.