Raphael – Stanza della Segnatura: Ceiling - Putti with a coat of arms of the Vatican
1511
Location: Vatican Museums (fresco) (Musei Vaticani (murales)), Vatican.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The putti themselves exhibit a range of expressions and postures, contributing to an overall sense of joyous activity. Their bodies are modeled with considerable anatomical detail, characteristic of Renaissance artistic conventions, yet their actions remain lighthearted and unburdened by gravity. The artist has employed subtle variations in skin tone and pose to differentiate the figures, preventing them from appearing as mere repetitions.
The background is a pale blue expanse, providing a clear contrast against the vibrant colors of the shield and the golden ornamentation that frames the entire scene. This frame itself is intricately decorated with gilded motifs – stylized foliage and geometric patterns – which reinforce the sense of opulence and ceremonial importance. The octagonal shape of the painted surface contributes to the feeling of enclosure and emphasizes the central focus on the heraldic emblem.
Subtly, the arrangement of the putti suggests a hierarchical order. Those closest to the shield appear more engaged in its support or manipulation, while those further away participate in a less direct manner. This could be interpreted as an allegorical representation of different levels of service or devotion related to the depicted authority. The playful interaction with the coat of arms might symbolize the divine blessing and protection bestowed upon it, conveyed through innocent joy and reverence. The overall effect is one of celebratory grandeur, imbued with a sense of youthful energy and spiritual significance.