Vasily Vereshchagin – Evening on the lake. One of the pavilions on the Marble Embankment in Rajnagar (Udaipur principality)
1874. 28×41
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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The painting depicts a grand open-air pavilion with intricate carvings, situated on the embankment of a vibrant blue lake. The architecture, characterized by its numerous ornate pillars supporting a wide roof, suggests a traditional Indian style, possibly from the princely state of Udaipur. The sun is setting or rising, casting long shadows on the stone pavement, hinting at the evening in the paintings title.
On the left, a lone man in traditional attire, complete with a red turban and holding a staff, stands with his back to the viewer, gazing out at the serene expanse of the water. His posture exudes a sense of contemplation or longing. Further within the pavilion, viewed through the arches formed by the pillars, two figures can be faintly observed, one seated and another standing, adding a subtle human presence to the scene. Several birds are seen in flight against the clear, deep blue sky, and some are perched on the pavilions roof.
The subtexts of the painting could involve themes of: