Roerich N.K. – Stone Age. North. Dancings
1,904. Gouache on paper. 13.4 x 60.8 cm.
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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Here we see the humans depicted with robust physiques and stylized features; their arms are raised, some holding aloft what appear to be branches or rudimentary objects. Their clothing consists of simple garments, marked with geometric patterns, indicating a degree of cultural distinction or perhaps tribal affiliation. The animal figures – primarily bears – are rendered in a similarly simplified manner, possessing large heads and expressive eyes that convey an almost anthropomorphic quality. They are integrated into the procession, appearing to participate alongside the human figures.
The color palette is restrained, employing earthy tones – ochres, browns, grays – contrasted with areas of deep blue. This limited range contributes to a sense of primitive solemnity and reinforces the feeling of a distant, archaic time. The background is reduced to a flat plane of blue, devoid of detail, which serves to isolate the figures and direct attention towards their actions.
Subtexts within this work appear to explore themes of humanity’s relationship with nature and the origins of ritualistic behavior. The integration of humans and animals suggests a blurring of boundaries between species, hinting at an early stage in human development where animism and shamanic practices were prevalent. The repetitive motion and synchronized gestures imply a communal experience, possibly linked to fertility rites or seasonal celebrations.
The overall effect is one of both vitality and melancholy; the figures seem caught in a timeless loop, their actions imbued with a significance that remains enigmatic to the modern viewer. Theres an underlying sense of mystery surrounding this gathering – a glimpse into a world where the natural and supernatural realms were inextricably intertwined.