Vasily Vereshchagin – Rajnagar. A marble embankment decorated with bas-reliefs on a lake in Udaipur
1874. 29×41
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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Настроение лета, жары и прохлады тени переданно очень искусно. Тончайшая работа!
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The painting Rajnagar. A marble embankment decorated with bas-reliefs on a lake in Udaipur offers a framed view through an intricately carved reddish-brown stone structure, possibly a pavilion or gateway. This foreground structure features ornate pillars and a patterned ceiling, drawing the viewers eye towards the scene beyond.
The central focus of the painting is a tranquil lake, with the right side of the image dominated by its expanse of shimmering, reflective water. This water beautifully mirrors the sky and the structures on the opposite bank. On the left side of the lake, a grand marble embankment with numerous steps descends towards the water. These steps are punctuated by small, ornate platforms or pavilions. A few figures, including one in a red turban, can be seen on the steps, suggesting human presence and activity.
Across the lake, a magnificent complex of white marble buildings with distinct architectural features, including domed roofs and arched windows, is visible. These buildings appear to be part of a palace or temple complex, built close to the waters edge. Behind this complex, rolling, arid hills rise, dotted with sparse vegetation and further structures, including what appears to be a fort or citadel perched on a higher hilltop in the distance. The sky is a clear, vibrant blue, indicative of a bright, sunny day.
The subtexts of this painting likely revolve around themes of: